0 四川皮皮炸金花app下载-APP安装下载

四川皮皮炸金花app下载 注册最新版下载

四川皮皮炸金花app下载 注册


类型【址:a g 9 559⒐ v i p】1:孟飞 大小:r5MeorbC71188KB 下载:oW8TVmke32842次
版本:v57705 系统:Android3.8.x以上 好评:kPDfxjsc35692条
日期:2020-08-08 02:49:04

1.【址:a g 9 559⒐ v i p】1  (Margaret presses his hand, extricates herself, and runs away. He stands amoment in thought and then follows her).
2.  Faust
3.  Voice (from above)
4.  Would you could better occupy your leisure, Than in disturbing thus my hoursof joy.
5.  The Sun, in ancient guise, competing With brother spheres in rival song, Withthunder - march, his orb completing, Moves his predestin'd course along; Hisaspect to the powers supernal Gives strength, though fathom him none may;Transcending thought, the works eternal Are fair as on the primal day.Gabriel
6.  Nor goal, nor measure is prescrib'd to you, If you desire to taste of everything, To snatch at joy while on the wing, May your career amuse and profittoo! Only fall to and don't be over coy!


1.  Frosch
2.  Oh no, though strong the love, I cannot boast much skill.Altmayer
3.  But then some meaning must the words convey.
4.  Now tell me, gentlemen, what you desire?
5.  Silence! Attend! to me give ear! Confess, sirs, I know how to live: Some love- sick folk are sitting here! Hence, 'tis but fit, their hearts to cheer, That I agood - night strain to them should give. Hark! of the newest fashion is mysong! Strike boldly in the chorus, clear and strong!(He sings)
6.  Faust (deeply moved)


1.  Mephistopheles
2.  And much, sir, may the liquor profit you!
3.  Margaret
4.  The greatest and most representative expression of Goethe's powers iswithout doubt to be found in his drama of "Faust"; but before dealing withGoethe's masterpiece, it is worth while to say something of the history of thestory on which it is founded - the most famous instance of the old andwidespread legend of the man who sold his soul to the devil. The historicalDr. Faust seems to have been a self-called philosopher who traveled aboutGermany in the first half of the sixteenth century, making money by thepractise of magic, fortune-telling, and pretended cures. He died mysteriouslyabout 1540, and a legend soon sprang up that the devil, by whose aid hewrought his wonders, had finally carried him off. In 1587 a life of himappeared, in which are attributed to him many marvelous exploits and inwhich he is held up as an awful warning against the excessive desire forsecular learning and admiration for antique beauty which characterized thehumanist movement of the time. In this aspect the Faust legend is anexpression of early popular Protestantism, and of its antagonism to thescientific and classical tendencies of the Renaissance.While a succession of Faust books were appearing in Germany, the originallife was translated into English and dramatized by Marlowe. English playersbrought Marlowe's work back to Germany, where it was copied by Germanactors, degenerated into spectacular farce, and finally into a puppet show.Through this puppet show Goethe made acquaintance with the legend.By the time that Goethe was twenty, the Faust legend had fascinated hisimagination; for three years before he went to Weimar he had been workingon scattered scenes and bits of dialogue; and though he suspended actualcomposition on it during three distinct periods, it was always to resume, andhe closed his labors upon it only with his life. Thus the period of time betweenhis first experiments and the final touches is more than sixty years. During thisperiod the plans for the structure and the signification of the work inevitablyunderwent profound modifications, and these have naturally affected the unityof the result; but, on the other hand, this long companionship and persistentrecurrence to the task from youth to old age have made it in a unique way therecord of Goethe's personality in all its richness and diversity.The drama was given to the public first as a fragment in 1790; then thecompleted First Part appeared in 1808; and finally the Second Part waspublished in 1833, the year after the author's death. Writing in "Dichtung undWahrheit" of the period about 1770, when he was in Strasburg with Herder,Goethe says, "The significant puppet - play legend . . . echoed and buzzed inmany tones within me. I too had drifted about in all knowledge, and earlyenough had been brought to feel the vanity of it. I too had made all sorts ofexperiments in life, and had always come back more unsatisfied and moretormented. I was now carrying these things, like many others, about with meand delighting myself with them in lonely hours, but without writing anythingdown." Without going into the details of the experience which underlies thesewords, we can see the beginning of that sympathy with the hero of the oldstory that was the basis of its fascination and that accounted for Goethe'sdeparture from the traditional catastrophe of Faust's damnation.Hungarian March from the "Damnation of Faust"Op.24 by HectorBerlioz(1803 - 1869).
5.   Mephistopheles (to Faust)
6.  I am no lady, am not fair, Can without escort home repair.(She disengages herself and exit.)


1.  Already, whirl'd so far away! The master then indeed I needs must play. Giveground! Squire Voland comes! Sweet folk, give ground! Here, doctor, graspme! With a single bound Let us escape this ceaseless jar; Even for me toomad these people are. Hard by there shineth something with peculiar glare,Yon brake allureth me; it is not far; Come, come along with me! we'll slip inthere.
2.  Here 'tis so close, so sultry now,
3.  By all rejected love! By hellish fire I curse, Would I knew aught to make myimprecation worse!
4、  (boring a hole in the edge of the table opposite to where Frosch is sitting)Give me a little wax - and make some stoppers - quick!Altmayer
5、  The wind is hushed, the stars grow pale, The pensive moon her light doth veil;And whirling on, the magic choir Sputters forth sparks of drizzling fire.Voice (from below)




  • 钟苹 08-07


  • 王涛 08-07


  • 谭钦文 08-07

       Without! without!

  • 李大鹏 08-07

      What do I see? what form, whose charms transcend The loveliness of earth,is mirror'd here! O Love, to waft me to her sphere, To me the swiftest of thypinions lend! Alas! If I remain not rooted to this place, If to approach morenear I'm fondly lur'd, Her image fades, in veiling mist obscur'd! Model ofbeauty both in form and face! Is't possible? Hath woman charms so rare? Inthis recumbent form, supremely fair, The essence must I see of heavenlygrace? Can aught so exquisite on earth be found?Mephistopheles

  • 林心如 08-06

    {  Mephistopheles

  • 王敬华 08-05

      Fortress with turrets And walls high in air, Damsel disdainful, Haughty andfair, There be my prey! Bold is the venture, Costly the pay!Hark how the trumpet Thither doth call us, Where either pleasure Or deathmay befall us. Hail to the tumult! Life's in the field! Damsel and fortress To usmust yield.}

  • 朱莉·毕晓普 08-05

      Thou nam'st thyself a part, and yet a whole I see.Mephistopheles

  • 文-贝克 08-05

      Evil - Spirit

  • 桥本隆一 08-04

       What thus I hear Sounds plausible, yet I'm not reconciled; There's somethingwrong about it; much I fear That thou art not a Christian.Faust

  • 韩晓玲 08-02

    {  Mephistopheles

  • 埃内斯托·席尔瓦 08-02

      Hold, or blows shall rain on you!